aerobo logo-12877

Aerobo Drone Services

From the only drone company built by filmmakers for filmmakers.

Equipment for Drone Services

To provide our clients with the highest standard of drone services, we keep an inventory of the latest, state-of-the-art drone and film equipment. Whether you have a preference or need a technical consultation, we’ll ensure to provide the best gear for the job. 

Drones

Our premium heavy lift drone.
  • 20 mins of flight time at 55 lbs
  • can fly the DJI Ronin 2, Nokia OZO, Jaunt VR
Triple Redundant Heavy lift drone.
  • capable of 12-14 mins of flight time
  • weights 45 lbs
  • can fly the Movi Pro, Gopro Omni, Zcam Pro
Heavy lift drone.
  • capable of 12-14 mins of flight time at 4lbs
  • can fly the Movi Pro, Gopro Omni, Zcam Pro
We have the ALTA 6 and ALTA 8, which are both heavy lift drones from Freefly.
  • Alta 8 has 8 mins of flight time at 40 lbs with a 20 lbs payload
  • Alta 6 has 8 mins of flight time at 30 lbs with a 15 lbs payload
DJI's latest iteration of the Inspire series.
  • top speed of 55 mph
  • endurance of 28 mins using the X5S gimbal and 20 mins using the X7 gimbal systems
  • 3D obtacle avoidance system incorporated
  • intelligent RTH makes this one of the safest production drones
Single operator drone.
  • capable of shooting 4k video
  • 30 mins of endurance
  • top speed of 40 mph

Cameras

Industry-preferred cinema camera.
  •  powered by the HELIUM 8KS35 sensor
  •  shoots 8K at30 frames per second
  • data rates up to 275 MB/s, can record REDCODE raw, as well as proxy 4K Apple ProRes or Avid DNxHR
  • effective pixels: 8192 x4320
  • playback framerates 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
35 mm format film-style digital cinema camera.
  • switchable active sensor area
  • support for ARRI MVF-1 viewfinder
  •  built-in remote control capabilities via ARRI Electronic Control System and Wi-Fi
  • support for cforce motors, built-in motorized ND filters
  • interchangeable lens mounts and ARRI Lens Data System as well as Lens Data Archive
  • 35 mm format ARRI ALEV II CMOS sensor with Bayer pattern color filter array
Digital cinema camera.
  • Super 35 Sized CMOS Sensor
  • Sony E-Mount
  • DCI 4K (4096 x 2160) Up to 60p
  • UHD Up to 60 FPS, HD Up to 180 FPS
  • 4096 x 2160 Via External Recorder
  • XAVC-I, XAVC-L, MPEG-2
  • XAVC-I Up to 600 Mb/s
 
Broadcast camera.
  • POV-style Studio Camera
  • 2/3" 2.2MP 3CCD
  • 1920 x 1080
  • 1080i, 1080p, 720p
  • 24p Capture Option
  • 3D Support
  • 14-bit A/D Converter
  • HDC Control System & Functionality
 
Broadcast camera.
  • 4K image quality
  • digital haze clear
  • 4K output (3G x 4) + HD-SDI output
  • HD-IP streaming and IP control
Cinema camera.
  • compatible with DJI Inspire 2 only
  • super 35 sensor
  • 6K CinemaDNG
  • 5.2K Apple ProRes
  • 14 stops of dynamic range
  • 24 MP Stills
Cinema camera.
  • compatible with DJI Inspire 2 only
  • 5.2k raw
  • CMOS, 4/3" sensor
  • different lens options
  • Tilt: +30°to -90°, Pan: ±320°

Lenses

Up to 150 mm supported on Ronin 2.
  • 16 high-speed prime lenses
  • 12-150 mm
  • high resolution + contrast
  • no distortion
  • reduced flare
Up to 75 mm supported on Ronin 2.
  • low distortion
  • bokeh with high contrast and focus fall-off
  • precise color rendition
  • oval out-of-focus highlights, with 15 aperture blades
  • large image field
  • large aperture of T1.9
  • no image breathing
  • no anamorphic mumps
Up to 100 mm supported on Ronin 2.
  • 4.1:1 maginfication ratio
  • close focus of 5.5" from front of lenses
  • T2.3 to T22 aperture
  • T2.6 to T22 - 65 mm MACRO
  • 2:1 oval bokeh
  • corrected for lateral and longitudinal abberations
Anamorphic Zoom lenses, include Long Range Anamorphic Zoom, Lightweight Compact Anamorphic Zoom, and Lightweight Compact Standard Anamorphic Zoom.
  • traditional 2x squeeze
  • unique "creamy and organic look" achieved via color rendering, contrast and resolution
  • constant T3 max aperture
  • minimal focus breathing
  • 114mm front diameter
 
15-40mm on Ronin 2.
  • covers S35 3-perf sensor size
  • 3x zoom range
  • f/1.9, T2.0 aperture
  • 2' minimum focus fistance
  • 0.8 gear teeth on Focus, Iris, and Zoom
Up to 150 mm supported on Ronin 2; up to 75 mm supported on Movi Pro.
  • optical design for excellent control of flare, distortion, and spherical aberration
  • true T2 aperture
  • cam-style focus with a large lens barrel diameter, for increased number of focus markings
  • focus scaling is made easy with large numerals on both sides of the focus barrel, when shooting under poor lighting conditions
Up to 135 mm supported on MOVI Pro.
  • high performance prime lenses (T.1.9)
  • focal length range 8-180mm
  • Ultra Prime 8R extreme wide angle lens
  • Ultra Prime 180 the best cinema telephoto prime
  • high quality close focus ability
Up to 100 mm supported on MOVI Pro.
  • T1.4 aperture
  • patented focusing mechanism, which expands the focus scale at critical range
  • small and compact size for more lightweight + maneuverable rigs
  • aspherical elements create a telecentric path of light

Camera Accessories

3-channel lightweight FIZ.
  • Range is 1 Km
  • remote start stop, excellent for aerial work
Gold Standard 3-channel FIZ.
  • 500 ft range
  • remote start stop
  • not-suited for aerial work
Teredek Bolt Pro.
  • 3000 HD video downlink
  • 2000+ feet of range
21" Production monitors + small HD handheld monitors.
Innovativ camera carts.
Latest technology in stabilization.
  • capable of stabilizing 30 lbs of camera and lens package
  • supports some anamorphics, zooms and master primes
  • compatible with Aerobo Super X8 Only
Stabilizes 15 lbs of camera and lens package; supports Ultra Primes; Cooke s4s and Leicas; compatible with all Aerobo heavy lift drones.

New to Drones?

Learn more about aerial film on our blog.

We’re Re-Designing Camera Flight

When we founded Aerobo, our vision was to enable cameras to move fluently through 3D space. We’re not in…

Read More

The Dramatic Impact of Drones on the VR Filmmaking Industry

Editor’s note: You’ve heard about how drones are being used for epic car chases, unique overhead shots, and gorgeous…

Read More

23 Best Resources for Getting into Aerial Videography and Photography

The buzzing contraption that once wreaked havoc on set has now become a respectable piece of film and photography…

Read More

The Drone is Becoming a Filmmaker’s Tool

Editor’s note: This is a post we originally wrote for DRONELIFE. Check out the original post here. Drones were introduced…

Read More

Drones vs. Helicopters: Which to Use for Your Aerial Shots

In 1858 Gaspard-Felix Tournachon, also known as “Nadar”, flew a hot air balloon over Paris, taking the earliest known…

Read More

Women Who Drone Feature: Why Aerial Photography Is No Longer a Boy’s Club

Editor’s note: We’ve recently had the pleasure of meeting Women Who Drone Founder Elena Buenrostro. After learning about her…

Read More